Como San Joán Boca-d' Ouro, porque loava a Santa María, tiraron-ll' os ollos e foi esterrado e deitado do patrïarcado; e depois fez-lle Santa María haver ollos, e cobrou per ela sa dinidade.
Line | Refrain | Metrics | |
1 | Quen a Santa María de coraçôn | 11 A | |
2 | rogar, oír-ll-á ela sa oraçôn. | 11 A | |
Stanza I | |||
3 | Ca o que a de voontade rogar | 11 b | |
4 | e mui de coraçôn en ela fïar, | 11 b | |
5 | se ll' algo pedir assí ou demandar, | 11 b | |
6 | dar-llo-á, que sól non lle dirá de non. | 11 A | |
Quen a Santa María de coraçôn... | |||
Stanza II | |||
7 | E dest' un miragre, per com' éu oí, | 11 b | |
8 | dizer-vos quér' óra e contar aquí, | 11 b | |
9 | que Santa María fez, com' aprendí, | 11 b | |
10 | por Joán Boca-d' Ouro, nóbre barôn, | 11 A | |
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/138 | |||
Stanza III | |||
11 | que disse muito ben dela e dos séus | 11 b | |
12 | feitos e de como foi Madre de Déus; | 11 b | |
13 | porend' os gentíis maos e encréus | 11 b | |
14 | sacaron-ll' os ollos a gran traïçôn. | 11 A | |
Quen a Santa María de coraçôn... | |||
Stanza IV | |||
15 | E ar mandaron-lle que lógo saír | 11 b | |
16 | se fosse da térr', e non leixaron ir | 11 b | |
17 | null' hóme con ele pera o servir, | 11 b | |
18 | mas déron-lle pouco pan e un bordôn. | 11 A | |
Quen a Santa María de coraçôn... | |||
Stanza V | |||
19 | Pois esto fezéron, fôrono meter | 11 b | |
20 | eno caminno que devía tẽer; | 11 b | |
21 | e poi-lo leixaron, foi lógu' el torcer | 11 b | |
22 | e caeu en un mui gran silvar entôn. | 11 A | |
Quen a Santa María de coraçôn... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/138 | |||
Stanza VI | |||
23 | El alí jazendo espinnado mal, | 11 b | |
24 | volvendo-se dentro con coita mortal, | 11 b | |
25 | chamou lóg' a Reínna esperital, | 11 b | |
26 | a que chaman sempr' os que coitados son, | 11 A | |
Stanza VII | |||
27 | dizendo: “Sennor, e nembre-te do téu | 11 b | |
28 | sérvo cégu' e póbre com' hoge jasqu' éu; | 11 b | |
29 | mas tu, Sennor, cata o coraçôn méu | 11 b | |
30 | e saca-m' óra desta maa prijôn.” | 11 A | |
Quen a Santa María de coraçôn... | |||
Stanza VIII | |||
31 | Pois esto dit' houve, a do bon talán | 11 b | |
32 | chegou e tiró-o dalí sen afán | 11 b | |
33 | e disse: “Se quéres, lógo veerán | 11 b | |
34 | téus ollos tan ben come outra sazôn | 11 A | |
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/138 | |||
Stanza IX | |||
35 | viron, e ta dinidade haverás, | 11 b | |
36 | e quanto perdiste todo cobrarás.” | 11 b | |
37 | Diss' el: “Sennor, ante mi tu mostrarás | 11 b | |
38 | o que mais téu Fillo, se el mi perdôn, | 11 A | |
Stanza X | |||
39 | amou eno mundo quand' en el naceu.” | 11 b | |
40 | Entôn a Virgen d' ant' ele se tolleu; | 11 b | |
41 | mais aa outra noite ll' apareceu | 11 b | |
42 | con séu Fill' en braços, e viu en vijôn | 11 A | |
Stanza XI | |||
43 | que pelas tetas, como meninno faz, | 11 b | |
44 | tragía sas mãos come a quen praz | 11 b | |
45 | de mamá-las; e pois mamava assaz, | 11 b | |
46 | beijava sa Madre polo galardôn. | 11 A | |
Quen a Santa María de coraçôn... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/138 | |||
Stanza XII | |||
47 | Quand' esto foi, San Joán entôn cobrou | 11 b | |
48 | séus ollos e viu; e lógo o chamou | 11 b | |
49 | a Virgen e disse: “Desto se pagou | 11 b | |
50 | méu Fillo mais d' al, e con mui gran razôn; | 11 A | |
Stanza XIII | |||
51 | ca estas tetas lo crïaron tan ben | 11 b | |
52 | como a sa carne mui nóbre convên; | 11 b | |
53 | e porende as amou mais d' outra ren, | 11 b | |
54 | porque destas tetas houv' el crïaçôn.” | 11 A | |
Quen a Santa María de coraçôn... | |||
Stanza XIV | |||
55 | Pois San Joane todo aquesto viu, †CSM 138:55Expanding tod' to its full form todo to make up for the missing metrical syllable in this line is not a particularly satisfying resolution, since the phrase phrase todo aquesto does not appear anywhere else: it is invariably tod' aquesto. However, it is perhaps the least of several evils. Firstly, although diaeresis in viu occurs many times elsewhere, it is of no use here, as it would break the rhyme and scansion: an unstressed final [u] in viü cannot rhyme with the stressed final [iu̯] in faliu and saiu. Diaeresis in pois, on the other hand, is not found elsewhere, and doesn't work well musically in this case. Finally, expanding San to Santo might just about be acceptable, except that the latter form, when it serves as a title, is generally reserved for Santo Tomas (since "San Tomas" might be heard as "santo mas"). | 11 b | |
56 | o séu cobrou todo, que ren non faliu; | 11 b | |
57 | e depois, quando deste mundo saiu, | 11 b | |
58 | sa alma foi i u é San Simeôn. †CSM 138:58Again, various resolutions suggested themselves for the missing metrical syllable in this line. Apart from possible diaeresis of foi to two syllables, alternatives include adding the definite article a at the start of the line, giving a sa alma foi, or expanding San to Santo. The resolution I've chosen though is to add the word i after foi, on the model of CSM 259:17 e foron i u lles ela mandou, since the accidental scribal omission of i after the same letter in foi is quite plausible. | 11 A | |
Quen a Santa María de coraçôn... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/138 | |||
Footnotes
Line 55: | Expanding tod' to its full form todo to make up for the missing metrical syllable in this line is not a particularly satisfying resolution, since the phrase phrase todo aquesto does not appear anywhere else: it is invariably tod' aquesto. However, it is perhaps the least of several evils. Firstly, although diaeresis in viu occurs many times elsewhere, it is of no use here, as it would break the rhyme and scansion: an unstressed final [u] in viü cannot rhyme with the stressed final [iu̯] in faliu and saiu. Diaeresis in pois, on the other hand, is not found elsewhere, and doesn't work well musically in this case. Finally, expanding San to Santo might just about be acceptable, except that the latter form, when it serves as a title, is generally reserved for Santo Tomas (since "San Tomas" might be heard as "santo mas"). |
Line 58: | Again, various resolutions suggested themselves for the missing metrical syllable in this line. Apart from possible diaeresis of foi to two syllables, alternatives include adding the definite article a at the start of the line, giving a sa alma foi, or expanding San to Santo. The resolution I've chosen though is to add the word i after foi, on the model of CSM 259:17 e foron i u lles ela mandou, since the accidental scribal omission of i after the same letter in foi is quite plausible. |
Manuscript references
External links marked are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.
[E] | 138 | viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/274small.htmlExternal link |
[T] | 138 |
Oxford CSM Database record
External link to poem data: CSM 138http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=138
Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.
Metrical summary
Refrain
11 11 |
Stanzas
11 11 11 11 |
Rhyme
AA / bbbAR | I | II | III | IV | V | VI | VII | VIII | IX | X | XI | XII | XIII | XIV | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A | oŋ | ||||||||||||||
b | aɾ | i | ɛu̯s | iɾ | eɾ | al | ɛu̯ | aŋ | as | eu̯ | aʣ | ou̯ | eŋ | iu̯ |
Estimated performance times
Average syllables / min. | Time | |
---|---|---|
Very slow | 50 | 18:55 |
Slow | 100 | 9:27 |
Medium | 150 | 6:18 |
Fast | 200 | 4:43 |
Very fast | 250 | 3:47 |
These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.
Total syllables: 946