Esta é de loor de Santa María.
| Line | Refrain | Metrics | |
| 1 | Os pecadores todos loarán | 10 A | |
| 2 | Santa María, ca dereit' i han †CSM 240:2This Cantiga has an unusual syntactic structure in which the refrain forms a single sentence with each following stanza. So if you're going to include instrumental interludes in a performance or recording, make sure these fall before a refrain, not after one. | 10 A | |
| Stanza I | |||
| 3 | ena loar e dizer o séu ben | 10 b | |
| 4 | e non cuidar nunca en outra ren; | 10 b | |
| 5 | ca pois que pécan per séu mao sen, | 10 b | |
| 6 | róga por eles a do bon talán. †CSM 240:6Elmes has don bon talan copying the scribal error in [E]. [F] has do bon talan. | 10 A | |
| Os pecadores todos loarán... | |||
| Stanza II | |||
| 7 | ena loar, e sempr' éu loarei | 10 b | |
| 8 | os séus feitos, ca outro ben non hei; | 10 b | |
| 9 | e por aquesto dereito farei, | 10 b | |
| 10 | e os cuitados dereito farán. | 10 A | |
| Os pecadores todos loarán... | |||
| Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/240 | |||
| Stanza III | |||
| 11 | ena loar e sempr' esto fazer | 10 b | |
| 12 | polas sas coitas, de que faz lezer | 10 b | |
| 13 | quando Déus vee irado seer | 10 b | |
| 14 | polos pesares que lle fazer van. | 10 A | |
| Os pecadores todos loarán... | |||
| Stanza IV | |||
| 15 | ena loar e nunca fazer al; | 10 b | |
| 16 | ca u a chaman sempr' ela i val, | 10 b | |
| 17 | e per ela somos livres de mal | 10 b | |
| 18 | e do pecado que fezo Adán. | 10 A | |
| Os pecadores todos loarán... | |||
| Stanza V | |||
| 19 | ena loar e dizer o séu prez | 10 b | |
| 20 | e quanto ben ela no mundo fez | 10 b | |
| 21 | e como róga por nós cada vez | 10 b | |
| 22 | que pecamos, por nos salvar de pran. | 10 A | |
| Os pecadores todos loarán... | |||
| Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/240 | |||
| Stanza VI | |||
| 23 | ena loar, e dereito será; | 10 b | |
| 24 | ca muito ben nos fez sempr' e fará, | 10 b | |
| 25 | e se non foss' ela, foramos ja | 10 b | |
| 26 | todos con Abiron e con Datán. | 10 A | |
| Os pecadores todos loarán... | |||
| Stanza VII | |||
| 27 | ena loar, e farán gran razôn; | 10 b | |
| 28 | ca ela péd' a séu Fillo perdôn | 10 b | |
| 29 | quand' eles érran, e outro padrôn | 10 b | |
| 30 | nunca houvéron neno haverán. | 10 A | |
| Os pecadores todos loarán... | |||
| Stanza VIII | |||
| 31 | ena loar, e quen esto fezér | 10 b | |
| 32 | fará dereito, pois sempr' ela quér | 10 b | |
| 33 | rogar por nós u nos há mais mestér | 10 b | |
| 34 | por nos tirar de coitas e d' afán. | 10 A | |
| Os pecadores todos loarán... | |||
| Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/240 | |||
| Stanza IX | |||
| 35 | ena loar, ca Déus non lle fez par; | 10 b | |
| 36 | e porên devemos a confïar | 10 b | |
| 37 | dela, que por nós Déus verrá rogar | 10 b | |
| 38 | alí u todos muito temerán. | 10 A | |
| Os pecadores todos loarán... | |||
| Stanza X | |||
| 39 | ena loar, ca u Nóstro Sennor | 10 b | |
| 40 | eno jüízo mais irado for, | 10 b | |
| 41 | perdõá-lles-á polo séu amor, | 10 b | |
| 42 | e estes taes non se perderán. | 10 A | |
| Os pecadores todos loarán... | |||
Footnotes
| Line 2: | This Cantiga has an unusual syntactic structure in which the refrain forms a single sentence with each following stanza. So if you're going to include instrumental interludes in a performance or recording, make sure these fall before a refrain, not after one. |
| Line 6: | Elmes has don bon talan copying the scribal error in [E]. [F] has do bon talan. |
Footnotes
| E1: | I have inserted the missing flat on this stave in order to keep the two repeated phrases of the mudanza identical. |
| E2: | The upper stem on this ligature is clearly present in Anglés' retouched facsimile, although it is (a) very short, and (b) of no likely musical consequence. |
Manuscript references
External links marked 
are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.
| [E] | 240 | viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/434small.htmlExternal link |
| [F] | 27 |
Oxford CSM Database record
External link to poem data: CSM 240http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=240
Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.
Metrical summary
Refrain
| 10 10 |
Stanzas
| 10 10 10 10 |
Rhyme
AA / bbbA| R | I | II | III | IV | V | VI | VII | VIII | IX | X | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | aŋ | ||||||||||
| b | eŋ | ei̯ | eɾ | al | eʣ | a | oŋ | ɛɾ | aɾ | oɾ | |
Estimated performance times
| Average syllables / min. | Time | |
|---|---|---|
| Very slow | 50 | 12:24 |
| Slow | 100 | 6:12 |
| Medium | 150 | 4:08 |
| Fast | 200 | 3:06 |
| Very fast | 250 | 2:28 |
These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.
Total syllables: 620
