Esta undécima, en outro día de Santa María, é de como lle venna emente de nós ao día do jüízio e rógue a séu Fillo que nos haja mercee.
Line | Stanza I | Metrics | |
1 | Nembre-se-te, Madre | 5' a | |
2 | de Déus, María, | 4' b | |
3 | que a el, téu Padre, | 5' a | |
4 | rógues todavía, | 5' b | |
5 | pois estás en sa companía | 8' b | |
6 | e és aquela que nos guía, | 8' b | |
7 | que, pois nos ele fazer quis, | 8 c | |
8 | sempre noit' e día | 5' b | |
9 | nos guarde, per que sejamos fis | 9 c | |
10 | que sa felonía | 5' b | |
11 | non nos mostrar queira, | 5' d | |
12 | mais dé-nos enteira | 5' d | |
13 | a sa grãada mercee, | 7' e | |
14 | pois nóssa fraqueza vee | 7' e | |
15 | e nóssa folía, | 5' b | |
16 | con ousadía | 4' b | |
17 | que nos desvía | 4' b | |
18 | da bõa vía | 4' b | |
19 | que levaría | 4' b | |
20 | nos u devía, | 4' b | |
21 | u nos daría | 4' b | |
22 | sempr' alegría | 4' b | |
23 | que non falrría | 4' b | |
24 | nen menguaría, | 4' b | |
25 | mas crecería | 4' b | |
26 | e poiaría | 4' b | |
27 | e compriría | 4' b | |
28 | e 'ncimaría | 4' b | |
29 | a nós. | 2 f | |
Footnotes
E1: | [E] has one note too many in this phrase of the music, so I have deleted the first one in order to match the repeat at E2. |
E2: | See E1. |
Manuscript references
External links marked are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.
[E] | FSM 11 | viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/022small.htmlExternal link |
Oxford CSM Database record
External link to poem data: CSM 421http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=421
Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.
Metrical summary
Stanzas
5' 4' 5' 5' 8' 8' 8 5' 9 5' 5' 5' 7' 7' 5' 4' 4' 4' 4' 4' 4' 4' 4' 4' 4' 4' 4' 4' 2 |
Rhyme
ababbbcbcbddeebbbbbbbbbbbbbbfI | |
---|---|
a | adɾe |
b | i.a |
c | is |
d | ei̯ɾa |
e | e.e |
f | ɔs |
Estimated performance times
Average syllables / min. | Time | |
---|---|---|
Very slow | 50 | 3:25 |
Slow | 100 | 1:42 |
Medium | 150 | 1:08 |
Fast | 200 | 0:51 |
Very fast | 250 | 0:41 |
These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.
Total syllables: 171