Como Santa María do Pórto guareceu al Rei Don Afonso dũa grand' enfermedade de que lle inchavan as pérnas tan muito que lle non podían caber enas calças.
Line | Refrain | Metrics | |
1 | Grandes miragres faz Santa María | 10' A | |
2 | e fremosos a quen s' en ela fía. | 10' A | |
Stanza I | |||
3 | Ca en aquele que s' a ela chama | 10' b | |
4 | e a sérv' e a loa e a ama, | 10' b | |
5 | macar jaça en leito ou en cama | 10' b | |
6 | con gran door, sãa-o todavía. | 10' A | |
Grandes miragres faz Santa María... | |||
Stanza II | |||
7 | Dest' un miragre quéro que sabiades | 10' b | |
8 | que fez mui grande na que esperades | 10' b | |
9 | todos mercee e u a achades | 10' b | |
10 | en todo tempo, de noit' e de día. | 10' A | |
Grandes miragres faz Santa María... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/367 | |||
Stanza III | |||
11 | Aquest' avẽo al Rei de Castéla | 10' b | |
12 | e de Santïago de Compostéla | 10' b | |
13 | quand' ía veer a igreja béla | 10' b | |
14 | que el fezéra na Andaluzía, | 10' A | |
Stanza IV | |||
15 | que en mui pouco tempo acabada | 10' b | |
16 | foi a honrra da Virgen corõada, | 10' b | |
17 | e de torres e de muro cercada, | 10' b | |
18 | segund' aquel logar mestér havía. | 10' A | |
Grandes miragres faz Santa María... | |||
Stanza V | |||
19 | Aquel Rei fora enferm' en Sevilla | 10' b | |
20 | de grand' enfermidad' a maravilla, | 10' b | |
21 | de que guariu por aquela que trilla | 10' b | |
22 | mui mal o démo chẽo de perfía. | 10' A | |
Grandes miragres faz Santa María... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/367 | |||
Stanza VI | |||
23 | E pois guariu desta enfermidade, | 10' b | |
24 | el Rei houv' entôn mui gran voontade | 10' b | |
25 | d' ir a logar u tan gran santidade | 10' b | |
26 | há com' alí; e el en romaría | 10' A | |
Stanza VII | |||
27 | foi alá lógo per mar e per térra. | 10' b | |
28 | E macar ll' o tempo fez mui gran guérra, | 10' b | |
29 | guïó-o ben aquela que non érra | 10' b | |
30 | a quena sérve ben sen oufanía. | 10' A | |
Grandes miragres faz Santa María... | |||
Stanza VIII | |||
31 | E ind' el Rei per mar, tanto ll' incharon | 10' b | |
32 | as pérnas ambas e se lle pararon | 10' b | |
33 | assí vermellas que todos cuidaron | 10' b | |
34 | que daquel mal mui tarde sãaría. | 10' A | |
Grandes miragres faz Santa María... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/367 | |||
Stanza IX | |||
35 | Ca ja de tal guisa inchad' havían | 10' b | |
36 | que enas hosas caber non podían; | 10' b | |
37 | demais os coiros delas se fendían | 10' b | |
38 | e agua amaréla ên saía. | 10' A | |
Grandes miragres faz Santa María... | |||
Stanza X | |||
39 | Mais el Rei, que toda sa esperança | 10' b | |
40 | havía ena Virgen sen dultança, | 10' b | |
41 | non quis por esto fazer demorança, | 10' b | |
42 | mais foi-s' ao Pórto quant' ir podía. | 10' A | |
Grandes miragres faz Santa María... | |||
Stanza XI | |||
43 | E chegou vérnes aa sa igreja | 10' b | |
44 | daquesta Virgen que bẽeita seja, | 10' b | |
45 | e con est' enfermidade sobeja | 10' b | |
46 | foi ant' o séu altar tẽer vegía. | 10' A | |
Grandes miragres faz Santa María... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/367 | |||
Stanza XII | |||
47 | E quand' os madudinnos começaron | 10' b | |
48 | os séus clérigos, que os ben cantaron, | 10' b | |
49 | lóg' amba-las pérnas lle desincharon | 10' b | |
50 | e guareceu daquela maloutía. | 10' A | |
Grandes miragres faz Santa María... | |||
Stanza XIII | |||
51 | E el Rei lógu' e toda sa companna, | 10' b | |
52 | que viron a maravilla tamanna, | 10' b | |
53 | loaron muito a que nos gaanna | 10' b | |
54 | de Déus saúd' e nos dá alegría. | 10' A | |
Grandes miragres faz Santa María... | |||
Footnotes
E1: | There is evidently some confusion in the musical notation of this cantiga between .on .e .e and .on .o .o and .o .e .e at the start of each phrase. For a simple and consistent ternary rhythm, however, the first of these three sequences seems to be required in all cases, so I would suggest replacing the others wherever they occur. Anglés makes essentially the same observation in a footnote to his original 1943 transcription, but in neither that transcription itself nor in the alternative one that he provided in the 1958 studies (volume III-2) does he follow what seems, to me, to be his own good advice. |
E2: | This flat is missing from the refrain in [E] but is present in the vuelta below. |
E3: | This final note is missing from the manuscript, so I have copied the one from the end of the refrain, which can just about be seen in the manuscript crashing into the decorated capital C at the start of the first stanza. (Perhaps the music scribe was copying what he'd written earlier and didn't spot it.) |
Manuscript references
External links marked are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.
[E] | 367 | viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/655small.htmlExternal link |
Oxford CSM Database record
External link to poem data: CSM 367http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=367
Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.
Metrical summary
Refrain
10' 10' |
Stanzas
10' 10' 10' 10' |
Rhyme
AA / bbbAR | I | II | III | IV | V | VI | VII | VIII | IX | X | XI | XII | XIII | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A | i.a | |||||||||||||
b | ama | ades | ɛla | ada | iʎa | ade | ɛrra | aɾoŋ | i.aŋ | anʦa | eʤa | aɾoŋ | aɲa |
Estimated performance times
Average syllables / min. | Time | |
---|---|---|
Very slow | 50 | 17:36 |
Slow | 100 | 8:48 |
Medium | 150 | 5:51 |
Fast | 200 | 4:24 |
Very fast | 250 | 3:31 |
These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.
Total syllables: 880