CSM Cantiga 367 Lyrics: Grandes miragres faz Santa María e fremosos

Standard spelling
Grandes miragres faz Santa María e fremosos
Cantiga 367: Grandes miragres faz Santa María e fremosos
Please read the notes on using the texts and the IPA transcriptions Please read the notes on using the music transcriptions
   
Standard spelling
Epigraph  

Como Santa María do Pórto guareceu al Rei Don Afonso dũa grand' enfermedade de que lle inchavan as pérnas tan muito que lle non podían caber enas calças.

Line Refrain  Metrics  
1 Grandes miragres faz Santa María 10' A
2 e fremosos a quen s' en ela fía. 10' A
 
  Stanza I     
3 Ca en aquele que s' a ela chama 10' b
4 e a sérv' e a loa e a ama, 10' b
5 macar jaça en leito ou en cama 10' b
6 con gran door, sãa-o todavía. 10' A
  Grandes miragres faz Santa María...    
 
  Stanza II     
7 Dest' un miragre quéro que sabiades 10' b
8 que fez mui grande na que esperades 10' b
9 todos mercee e u a achades 10' b
10 en todo tempo, de noit' e de día. 10' A
  Grandes miragres faz Santa María...    
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson
www.cantigasdesantamaria.com/csm/367
 
  Stanza III     
11 Aquest' avẽo al Rei de Castéla 10' b
12 e de Santïago de Compostéla 10' b
13 quand' ía veer a igreja béla 10' b
14 que el fezéra na Andaluzía, 10' A
 
  Stanza IV     
15 que en mui pouco tempo acabada 10' b
16 foi a honrra da Virgen corõada, 10' b
17 e de torres e de muro cercada, 10' b
18 segund' aquel logar mestér havía. 10' A
  Grandes miragres faz Santa María...    
 
  Stanza V     
19 Aquel Rei fora enferm' en Sevilla 10' b
20 de grand' enfermidad' a maravilla, 10' b
21 de que guariu por aquela que trilla 10' b
22 mui mal o démo chẽo de perfía. 10' A
  Grandes miragres faz Santa María...    
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson
www.cantigasdesantamaria.com/csm/367
 
  Stanza VI     
23 E pois guariu desta enfermidade, 10' b
24 el Rei houv' entôn mui gran voontade 10' b
25 d' ir a logar u tan gran santidade 10' b
26 há com' alí; e el en romaría 10' A
 
  Stanza VII     
27 foi alá lógo per mar e per térra. 10' b
28 E macar ll' o tempo fez mui gran guérra, 10' b
29 guïó-o ben aquela que non érra 10' b
30 a quena sérve ben sen oufanía. 10' A
  Grandes miragres faz Santa María...    
 
  Stanza VIII     
31 E ind' el Rei per mar, tanto ll' incharon 10' b
32 as pérnas ambas e se lle pararon 10' b
33 assí vermellas que todos cuidaron 10' b
34 que daquel mal mui tarde sãaría. 10' A
  Grandes miragres faz Santa María...    
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson
www.cantigasdesantamaria.com/csm/367
 
  Stanza IX     
35 Ca ja de tal guisa inchad' havían 10' b
36 que enas hosas caber non podían; 10' b
37 demais os coiros delas se fendían 10' b
38 e agua amaréla ên saía. 10' A
  Grandes miragres faz Santa María...    
 
  Stanza X     
39 Mais el Rei, que toda sa esperança 10' b
40 havía ena Virgen sen dultança, 10' b
41 non quis por esto fazer demorança, 10' b
42 mais foi-s' ao Pórto quant' ir podía. 10' A
  Grandes miragres faz Santa María...    
 
  Stanza XI     
43 E chegou vérnes aa sa igreja 10' b
44 daquesta Virgen que bẽeita seja, 10' b
45 e con est' enfermidade sobeja 10' b
46 foi ant' o séu altar tẽer vegía. 10' A
  Grandes miragres faz Santa María...    
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson
www.cantigasdesantamaria.com/csm/367
 
  Stanza XII     
47 E quand' os madudinnos começaron 10' b
48 os séus clérigos, que os ben cantaron, 10' b
49 lóg' amba-las pérnas lle desincharon 10' b
50 e guareceu daquela maloutía. 10' A
  Grandes miragres faz Santa María...    
 
  Stanza XIII     
51 E el Rei lógu' e toda sa companna, 10' b
52 que viron a maravilla tamanna, 10' b
53 loaron muito a que nos gaanna 10' b
54 de Déus saúd' e nos dá alegría. 10' A
  Grandes miragres faz Santa María...    
 
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Footnotes

E1:

There is evidently some confusion in the musical notation of this cantiga between .on .e .e and .on .o .o and .o .e .e at the start of each phrase. For a simple and consistent ternary rhythm, however, the first of these three sequences seems to be required in all cases, so I would suggest replacing the others wherever they occur. Anglés makes essentially the same observation in a footnote to his original 1943 transcription, but in neither that transcription itself nor in the alternative one that he provided in the 1958 studies (volume III-2) does he follow what seems, to me, to be his own good advice.

E2:

This flat is missing from the refrain in [E] but is present in the vuelta below.

E3:

This final note is missing from the manuscript, so I have copied the one from the end of the refrain, which can just about be seen in the manuscript crashing into the decorated capital C at the start of the first stanza. (Perhaps the music scribe was copying what he'd written earlier and didn't spot it.)

Manuscript references

External links marked are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.

[E]367viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/655small.htmlExternal link

Oxford CSM Database record

External link to poem data:  CSM 367http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=367

Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.

Metrical summary

Refrain

10'  10'

Stanzas

10'  10'  10'  10'

Rhyme

AA / bbbA
 RIIIIIIIVVVIVIIVIIIIXXXIXIIXIII
Ai.a
b amaadesɛlaadaiʎaadeɛrraaɾoŋi.aŋanʦaeʤaaɾoŋaɲa

Estimated performance times

Average syllables / min. Time
Very slow5017:36
Slow1008:48
Medium1505:51
Fast2004:24
Very fast2503:31

These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.

Total syllables: 880