Esta é como Santa María sãou ũu hóme bõo que coidava morrer de ravia.
Line | Refrain | Metrics | |
1 | Todo-los coitados que quéren saúde | 11' A | |
2 | demanden a Virgen e a sa vertude. | 11' A | |
Stanza I | |||
3 | Ca ela poder há de saúde dar | 11 b | |
4 | e vida por sempr' a quen lla demandar | 11 b | |
5 | de coraçôn; e desto quér' éu contar | 11 b | |
6 | un mui bon miragre, assí Déus m' ajude. | 11' A | |
Todo-los coitados que quéren saúde... | |||
Stanza II | |||
7 | Per todo o mund' ela miragres faz, | 11 b | |
8 | mais dũa sa casa, cabo Monssarraz, | 11 b | |
9 | que chaman Terena, sei ben que assaz | 11 b | |
10 | faz muitos miragres a quen i recude. | 11' A | |
Todo-los coitados que quéren saúde... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/223 | |||
Stanza III | |||
11 | E porend' un hóme bõo, Don Matéus, | 11 b | |
12 | qu' en Estremoz móra, proug' assí a Déus | 11 b | |
13 | que raviou mui fórt', e os parentes séus | 11 b | |
14 | alá o levaron, ca muit' ameúde | 11' A | |
Stanza IV | |||
15 | de toda-las térras gentes vẽen i. | 11 b | |
16 | E pois i foron, quis a Virgen assí | 11 b | |
17 | que foi lógo são; e, com' aprendí, | 11 b | |
18 | ja ll' ante fazían os séus ataúde | 11' A | |
Stanza V | |||
19 | en que o metessen por mórto de pran. | 11 b | |
20 | Porên non devía tẽer por afán | 11 b | |
21 | quen servir podéss' esta de bon talán | 11 b | |
22 | e contra o démo daquesta s' escude. | 11' A | |
Todo-los coitados que quéren saúde... | |||
Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/223 | |||
Manuscript references
External links marked are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.
[E] | 223 | viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/404small.htmlExternal link |
[F] | 55 |
Oxford CSM Database record
External link to poem data: CSM 223http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=223
Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.
Metrical summary
Refrain
11' 11' |
Stanzas
11 11 11 11' |
Rhyme
AA / bbbAR | I | II | III | IV | V | |
---|---|---|---|---|---|---|
A | ude | |||||
b | aɾ | aʣ | ɛu̯s | i | aŋ |
Estimated performance times
Average syllables / min. | Time | |
---|---|---|
Very slow | 50 | 7:22 |
Slow | 100 | 3:41 |
Medium | 150 | 2:27 |
Fast | 200 | 1:50 |
Very fast | 250 | 1:28 |
These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.
Total syllables: 369